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Количество страниц: 9 с.
- Языкознание. Филология. Художественная литература > Литература. Литературоведение > Теория литературы. Изучение литературы. Литературная техника > Художественная литература на отдельных языках,
- НАУКА ЯКУТИИ > ЯЗЫКОЗНАНИЕ. ФИЛОЛОГИЯ. ЛИТЕРАТУРОВЕДЕНИЕ. ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА > Языкознание и языки. Лингвистика.
The research is carried out in the context of interdisciplinary cognitive directions - cognitive linguistics and cognitive poetics, one of the actual tasks of which is modeling the structure of artistic concepts represented in the artistic text. The aim of the study is modeling of the artistic concept of cold in the author’s artistic picture of the world of Y. S. Rytkheu as a part of the conceptosphere of the Arctic discourse. This research is the first stage in the study of artistic concepts in the Arctic discourse of Y. S. Rytkheu. The novel of this Chukchi writer, who is a representative of the northern linguoculture, was analysed. The relevance of this study is determined by the choice of the concept of cold as one of the key discursive concepts of the North and the Arctic, as well as its inclusion in the paradigm of linguocognitive research and conceptology of the artistic text. The method of continuous sampling was used to extract 456 markers - representatives of the concept. The markers were distributed into lexico-thematic groups (hereinafter - LTG) “Nature” (211), “Human Impact” (142), “Dwelling” (44), “Technology” (39), “Equipment” (20), interpreted as cognitive attributes of the concept. The distribution into LTGs was made according to the signs of semantic and thematic commonality of the concept markers. The following structure of the artistic concept cold was revealed: in the nuclear zone there is the cognitive attribute “Nature” (211 markers), in the ancillary zone - “Human Impact” (142 markers), in the near periphery there is the attribute “Dwelling”, in the far periphery “Equipment” and “Technics”. Such cognitive features of the artistic concept of cold as the Arctic climate of Chukotka, natural phenomena associated with cold, the impact of cold on people and their activities are defined.
Павлов, С. С. Художественный концепт холод в произведении чукотского писателя Ю. Рытхэу "Айвангу" / С. С. Павлов, О. А. Мельничук ; Северо-Восточный федеральный университет им. М. К. Аммосова // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. - 2024. - Т. 21, N 1 (95). - С. 169-177. - DOI: 10.25587/2222-5404-2024-21-1-169-177
DOI: 10.25587/2222-5404-2024-21-1-169-177
Количество страниц: 10 с.
- Языкознание. Филология. Художественная литература > Литература. Литературоведение > Теория литературы. Изучение литературы. Литературная техника > Художественная литература на отдельных языках,
- НАУКА ЯКУТИИ > ЯЗЫКОЗНАНИЕ. ФИЛОЛОГИЯ. ЛИТЕРАТУРОВЕДЕНИЕ. ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА > Языкознание и языки. Лингвистика.
The subject of research in this article are the characteristics and specificity of visual images and codes in the work of Grigory Baklanov "South of the main offensive". The relevance of the work lies in the fact that the scientific works devoted to the prose of Baklanov are represented by few works that study the poetics of psychologism in the writer's prose (A. E. Abramova) or the military prose of the Sixtiers as a whole (for example, in the study of T. G. Bogoradova and I. L. Startseva, Baklanov's prose is presented only as a part of the aggregate object). The writer's work is more widely discussed in the critical works of L. I. Lazarev, I. A. Dedkov and L. V. Oborin. Despite the importance of the figure of Grigory Baklanov in the "lieutenant prose", the sensual features of his prose are practically not studied. Meanwhile, Grigory Baklanov was one of the leading authors of "lieutenant prose". Thus, V. V. Bykov noted the primary influence on his work of the story "South of the main offensive" (1957) - the study of the visual poetics of this very work seems relevant. The methodological basis of the research was the immanent analysis, the comparative-comparative method, as well as B. A. Uspensky's approach to the analysis of the "point of view" in fiction. Aim of the research is to study the visual poetics of the story "South of the main offensive". The aim of the study is to consider the problem of visual poetics in modern literary studies, as well as to determine the functions and role of visual poetics in the artistic text of the story "South of the main offensive". In the work of Grigory Baklanov, the aspect of sensory poetics, which consists in appealing to the reader's perceptual experience through the text, is particularly pronounced - it is this aspect that is responsible for the formation of the sensory image of the artistic world of the work. In this study, visuality is considered as the main aspect of the reader's perception.
Ощепкова, А. И. Визуальная поэтика повести Г. Я. Бакланова "Южнее главного удара" / А. И. Ощепкова, Т. С. Монастырев ; Северо-Восточный федеральный университет им. М. К. Аммосова // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. - 2024. - Т. 21, N 1 (95). - С. 159-168. - DOI: 10.25587/2222-5404-2024-21-1-159-168
DOI: 10.25587/2222-5404-2024-21-1-159-168
Количество страниц: 12 с.
- Языкознание. Филология. Художественная литература > Литература. Литературоведение > Теория литературы. Изучение литературы. Литературная техника > Художественная литература на отдельных языках > Якутская (саха) литература,
- НАУКА ЯКУТИИ > ЯЗЫКОЗНАНИЕ. ФИЛОЛОГИЯ. ЛИТЕРАТУРОВЕДЕНИЕ. ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА > Языкознание и языки. Лингвистика.
In recent years, an active appeal to the discourse of cold as a scientific problem has been observed in science, which is partly due to some extent to the transformation of the worldview of modern man, partly to the awareness of the fragility of the world balance in a globalising space. At the same time, the lack of development of the methodology, which consists in the absence of a conceptual, informational base, separate tools, creates difficulties in implementation this problem. In this regard, the topic presented in this article undoubtedly has great scientific potential and novelty in the context of the problem of geo-culture of the North. The purpose of the study is to study the concept of cold in the context of the geo-cultural landscape of Yakutia as a semantic structure, which manifests itself in the constancy of images, universals with cultural, historical, mental community and united in a single artistic system. The author pays special attention to the reception of the concept of cold in the aspect of binary positions of one's own and another's, where one's own is represented by an associative series of native, close, bright, safe, and participates in the formation of unique characteristics of the national world. The main attention is paid to the initial properties of cold, which form the borders of the Yakut world and participating in the design of a specific mental picture of Sakha, which is quite clearly reflected in the images of the initiating heroes of P.A. Oyunsky. In addition, the subject of the study is also the specifics of cold and its role in the actualisation of the unique geo-cultural quality of the city of Yakutsk as the coldest, most distant city, “the city on the edge”. The methods used in the article were systemic, structural research methods. Results. The study of this concept in the literary aspect helps to identify the peculiarities of the individual style, the author's position, and the peculiarities of constructing a national picture of the world.
Ноева, С. Е. Поэтика холода в якутской прозе начала ХХ века: холод как граница якутского мира / С. Е. Ноева (Карманова) ; Институт гуманитарных исследований и проблем малочисленных народов Севера // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. - 2024. - Т. 21, N 1 (95). - С. 147-158. - DOI: 10.25587/2222-5404-2024-21-1-147-158
DOI: 10.25587/2222-5404-2024-21-1-147-158
Издательство: Издательство ЯГУ
Год выпуска: 1999
Количество страниц: 88 с.
Onomastic field of characters in yakut fairy tales
Количество страниц: 3 с.
- Языкознание. Филология. Художественная литература > Литература. Литературоведение > Художественная литература для детей и юношества,
- Языкознание. Филология. Художественная литература > Языкознание. Филология,
- НАУКА ЯКУТИИ > ЯЗЫКОЗНАНИЕ. ФИЛОЛОГИЯ. ЛИТЕРАТУРОВЕДЕНИЕ. ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА > Языкознание. Филология,
- НАУКА ЯКУТИИ > ЯЗЫКОЗНАНИЕ. ФИЛОЛОГИЯ. ЛИТЕРАТУРОВЕДЕНИЕ. ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА > Языкознание и языки. Лингвистика.
The article examines proper names in Yakut fairy tales. The purpose of the study is to consider the structure of proper names in Yakut fairy tales. The objectives are to study the criteria for determining proper names. The hypothesis is as follows: when studying proper names in Yakut fairy tales, the most effective is the cultural approach, in which a proper name is considered as a product of a certain culture. The research methods are analysis, synthesis, generalization, and systematization. The results are as follows: proper names of the characters in Yakut fairy tales are expressed by vivid national-cultural semantics, closely related to the history and culture of peoples.
Кривошапкина, А. Г. Ономастическое поле персонажей в якутских сказках / Кривошапкина А. Г., Павлова У. В. ; Северо-Восточный федеральный университет им. М. К. Аммосова // Глобальный научный потенциал. - 2023. - Т. 1, N 12 (153). - С. 169-171.
Количество страниц: 3 с.
- Общественные науки. Образование > Народное образование. Воспитание. Обучение. Организация досуга > Общеобразовательная школа. Дошкольные учреждения,
- Языкознание. Филология. Художественная литература > Литература. Литературоведение > Теория литературы. Изучение литературы. Литературная техника,
- НАУКА ЯКУТИИ > ОБЩЕСТВЕННЫЕ НАУКИ > Народное образование. Воспитание. Обучение. Организация досуга > Общеобразовательная школа. Дошкольные учреждения,
- НАУКА ЯКУТИИ > ЯЗЫКОЗНАНИЕ. ФИЛОЛОГИЯ. ЛИТЕРАТУРОВЕДЕНИЕ. ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА > Литература. Литературоведение.
The relevance of the study lies in the fact that the formation of a student's Russian civic identity is impossible without taking into account multicultural education based on the dialogue of different cultures. In a comparative analysis of the works of art of different peoples, students see the national and original, common and different, "foreign and their own". The purpose of the article is to consider the specifics of the multicultural education of schoolchildren in literature lessons through the dialogue of cultures. The research objectives are to determine the directions of multicultural education of students in literature lessons; comparison of the main images of the heroes of the fairy tales “Ivan - a peasant son and a miracle Yudo” and “Good Yuduyen” in the 5th grade; to reveal the elements of Russian and Yakut national culture in the folklore genre. The methods are analysis of scientific and pedagogical literature; presentation of practical material. The results are as follows: the specifics of multicultural education of students in literature lessons are characterized; a comparative analysis of fairy tales based on the dialogue of Russian and Yakut culture is presented.
Никонова, Н. И. Поликультурное воспитание школьников на уроках литературы: диалог культур / Н. И. Никонова ; Северо-Восточный федеральный университет им. М. К. Аммосова // Глобальный научный потенциал. - 2022. - N 11 (140). - С. 112-114.
Количество страниц: 4 с.
- Общественные науки. Образование > Народное образование. Воспитание. Обучение. Организация досуга > Общеобразовательная школа. Дошкольные учреждения,
- Языкознание. Филология. Художественная литература > Литература. Литературоведение > Теория литературы. Изучение литературы. Литературная техника > Художественная литература на отдельных языках,
- НАУКА ЯКУТИИ > ОБЩЕСТВЕННЫЕ НАУКИ > Народное образование. Воспитание. Обучение. Организация досуга > Общеобразовательная школа. Дошкольные учреждения,
- НАУКА ЯКУТИИ > ЯЗЫКОЗНАНИЕ. ФИЛОЛОГИЯ. ЛИТЕРАТУРОВЕДЕНИЕ. ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА > Литература. Литературоведение.
The relevance of the study is explained by the appeal to cognitive visual products in literature lessons, which is due to the requirements of the educational process, the peculiarity of the perception and analysis of information by students, the speed of development of innovations in modern life. The purpose is to analyze the use of concept map technology in the study of works of art at school. The research objectives are description of the technological process of creating concept maps; consideration of the portrait characteristics of G. Pechorin (M.Yu. Lermontov “Hero of Our Time”), identification of the author's attitude in A.A. Blok's poem “Night, street, lamp, pharmacy ...” through the creation of concept maps in literature lessons. The research methods are analysis of scientific and pedagogical literature; generalization of practical material. Results: the features of the use of concept maps are characterized; the technology of using concept maps is presented on the example of specific works.
Никонова, Н. И. Изучение художественных произведений: технология концепт-карт / Никонова Н. И., Алдухова А. В. ; Северо-Восточный федеральный университет им. М. К. Аммосова // Глобальный научный потенциал. - 2022. - N 10 (139). - С. 41-44.
Количество страниц: 4 с.
- Языкознание. Филология. Художественная литература > Литература. Литературоведение > Теория литературы. Изучение литературы. Литературная техника > Художественная литература на отдельных языках > Якутская (саха) литература,
- НАУКА ЯКУТИИ > ЯЗЫКОЗНАНИЕ. ФИЛОЛОГИЯ. ЛИТЕРАТУРОВЕДЕНИЕ. ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА > Языкознание и языки. Лингвистика.
The article presents the analysis of the composition and plot-compositional types of the text of M.Z. Martynov's olonkho "Uol Duolan Bukhatyr". The purpose of the research is to consider compositional structure of the plot of the Yakut heroic epic "Uol Duolan Bukhatyr". The objectives are to study the main parts of the compositional structure of this olonkho: exposition, plot, plot development, climax, and plot denouement. The hypothesis is based on the assumption that in order to understand the cycles of epic development, it is important to consider the characteristic features of the plot structure. The research methods are structural analysis of the olonkho text. The results are as follows: in the text of olonkho "Uol Duolan Bukhatyr" there is a classic motive of epic time, M.Z. Martynov kept the execution in strict sequence.
Павлова, У. В. Сюжетно-композиционная структура олонхо М. З. Мартынова "Уол Дуолан Бухатыыр" / Павлова У. В., Кривошапкина А. Г., Протопопова М. Ю. ; Северо-Восточный федеральный университет им. М. К. Аммосова // Глобальный научный потенциал. - 2022. - N 6 (135). - С. 138-141.
Количество страниц: 4 с.
- Языкознание. Филология. Художественная литература > Литература. Литературоведение > Теория литературы. Изучение литературы. Литературная техника > Художественная литература на отдельных языках,
- НАУКА ЯКУТИИ > ЯЗЫКОЗНАНИЕ. ФИЛОЛОГИЯ. ЛИТЕРАТУРОВЕДЕНИЕ. ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА > Литература. Литературоведение.
Саввинова, Р. Я. Лексико-стилистические особенности романа Стюарта Тертона "Семь смертей Эвелины Хардкасл" / Р. Я. Саввинова, А. Б. Анисимов ; Северо-Восточный федеральный университет им. М. К. Аммосова // Международный журнал гуманитарных и естественных наук. - 2023. - N 10-2 (85). - C. 158-161. - DOI: 10.24412/2500-1000-2023-10-2-158-161
DOI: 10.24412/2500-1000-2023-10-2-158-161