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Количество страниц: 5 с.
The article is devoted to studying of early prerevolutionary time phonographic record of Yakut folklore in order to identify the goal of further research of the topic. Records of Yakut folklore have not been the subject of special research. The very formulation of this scientific problem shows the relevance of the study
Алексеева, С. В. О дореволюционных фонозаписях якутского фольклора / Сардана Васильевна Алексеева ; ГКУ РС(Я) "Национальная библиотека Республики Саха (Якутия)" // Грибановские чтения - 2022 : сборник материалов Всероссийской научно-практической конференции с международным участием, 14–16 декабря 2022 года. - Якутск : ИЦ НБ РС (Я), 2023. - 1 файл (565 с. ; 3,50 Мб) : ил. - С. 458-462.
Количество страниц: 11 с.
Scientific novelty. The research approach of A.A. Savvin to the field material of the Verkhoyansk region as an integral set of texts confirmed the archaism of the origin of the mythological narrative not only in legends, but also in other genres of the Verkhoyansk tradition. On the material of the Verkhoyansk legends, the previously put forward assumption about the influence of the conceptual ideas of G.V. Xenofontov in the 1920s 20th century on the formation of the research position of A.A. Savvin. Verkhoyansk legends recorded by A.A. Savvin within the framework of the Northern Expedition of the Institute of Language and Culture (1939-1940), are considered for the first time as a certain body of texts not so much of ethnographic as of folklore origin. The aim of the work is to study the corpus of Verkhoyansk legends recorded by A.A. Savvin, in the aspect of the originality of the Verkhoyansk folklore tradition that has developed here. The tasks of the study are determined by the general formulation of the question of the nature and unity of the Verkhoyansk legends, which predetermined the general direction of this entire tradition. Research methods. On the material of records of different genres of Verkhoyansk folklore, stored in the archives of the YSC SB RAS, a typological approach to their study is proposed, methods and techniques of folklore, and more broadly - philological, analysis of the oral type of text are used. Results. In the plot structure of the Verkhoyansk legends, the archaic and autonomy of the processes of plot formation finds expression: from the early mythological features of the “general Yakut” fund to its localization here and the appearance in the legends of the characteristic features of the glorification of the story about the “outstanding people of Verkhoyansk”. An analysis of the legends gives grounds for concluding that this tradition was predominantly narrative in nature, which influenced the Verkhoyansk folklore as a whole.
Покатилова, Н. В. Предания как фольклорный текст: "верхоянский" локус от Г. В. Ксенофонтова до А. А. Саввина / Н. В. Покатилова ; ФИЦ "Якутский научный центр СО РАН" // Северо-Восточный гуманитарный вестник. - 2022. - N 4 (41). - С. 100-110. - DOI: 10.25693/SVGV.2022.41.4.009
DOI: 10.25693/SVGV.2022.41.4.009
Год выпуска: 1991
Количество страниц: 112 с.
Количество страниц: 16 с.
This paper analyzes the song inclusions in the tales of Forest Yukaghirs, the content of such pieces, their purposes, and origin. Song segments are found in animal tales, including mythological ones, fairy tales about a Fabulous Old Man-eater, and everyday fairy tales. The song inclusions mostly convey the monological speech of the characters and include lexical repetitions. The song inclusions considered are mainly the magical appeal of one hero to another, a personal story, or a real personal situation. Some of them can be characterized as personal songs. Characters endowed with supernatural powers use the song as a magical ritual. These characters include heroes with shamanic powers and the ogre giant, the Fabulous Old Man. The magical potential of the song, aimed at summoning and embodying something, can also be evoked by ordinary people, even unintentionally. Songs-appeals of some characters to others are performed in magical situations, facilitating their manifestation. The fairy tales provide indirect indications of the shamanic power of the singing characters. Alternatively, the songs addressed to other persons can be performed by ordinary characters, usually represented by animals. Songs as personal narratives or real personal situations can be found mainly in the tales about animals. The song inclusions are based on the representations of shamanic activity, magical abilities, and the song type of storytelling, as evidenced by the existence of both non-fairy and fairy tale Yukaghir prose.
Прокопьева, П. Е. Песенные вставки в сказочном фольклоре лесных юкагиров / Е. П. Прасковья ; Институт гуманитарных исследований и проблем малочисленных народов Севера // Сибирский филологический журнал. - 2023. - N 2. - С. 19-34. - DOI: 10.17223/18137083/83/2
DOI: 10.17223/18137083/83/2
Количество страниц: 12 с.
The article presents the result of the procedure for resolving the issue of forming dictionary vocables, as well as organizing a dictionary entry in the dictionary of the language of the Yakut heroic epic Olonkho, proclaimed by UNESCO in 2005 as a masterpiece of the oral and intangible cultural heritage of humanity. The question was one of the rather complex problems in the theoretical development of a dictionary of the Olonkho language. The high degree of formulaicity of the language of the Yakut epic, the originality of the stylistics of the epic narrative and the characteristic features of the language of the Turkic peoples generated a complex of original properties of the Olonkho language, which determined the problematic character of lexicographic works. However, when developing the macro- and microstructure of dictionaries of the language of folklore, an unconventional solution to the problem is allowed, and therefore the work proposes a special structure of a dictionary entry, as well as methods for forming non-standard forms of dictionary vocables. To achieve the goal, we analyzed the functional and semantic features of the lexeme aghys ʻeightʼ in the olonkho text Nurgun Bootur the Swift by K. G. Orosin (1947). As a result of the analysis, the following points were clarified and determined: 1. it was decided to present stable verbal complexes of the Olonkho language (i. e. epic formulas, formulaic constructions, constructions of a formulaic nature), phraseological units, single lexemes and epic periods as vocabulary vocables. The main factors that served as support for making such a decision were the distinctive feature of the Turkic languages - the law of synharmonism, as well as the diffuse nature of the meaning of folk expressions, which requires an integrated approach to the compilation of dictionary definitions, including in the design of the lemma part of the dictionary. The basic principles of the structure of dictionary entries in the Olonkho language dictionary are indicated: the order of presentation of units of lexicographic description, the order of presentation of stable verbal complexes, principles of presentation of material, features of presentation of illustrative material. In developing the described principles, we relied on individual aspects of the theoretical positions expressed in the works of our predecessors, specializing in the field of Russian lingua-folkloristics, Russian folklore lexicography, in Turkic studies, as well as the result of a comprehensive analysis of materials from the K. G. Orosin’s olonkho text of Nurgun Bootur the Swift . In the course of further lexicographical work, it will obviously be possible to make minor adjustments, since the language material of the Yakut epic is extremely diverse. However, the result obtained in this article, in this aspect, will definitely form the basis of lexicography.
Роббек, Л. В. О формировании вокабул и организации словарной статьи в словаре языка олонхо / Л. В. Роббек ; Институт гуманитарных исследований и проблем малочисленных народов Севера // Вестник Северо-Восточного федеральногоуниверситета им. М. К. Аммосова. Серия: Эпосоведение. - 2024. - N 1 (33). - С. 45-56. - DOI: 10.25587/2782-4861-2024-1-45-56
DOI: 10.25587/2782-4861-2024-1-45-56
Количество страниц: 10 с.
This article is devoted to the identification of universal and national values in the epic texts Mighty Er Sogotokh and Maadai-Kara . The relevance of the study of the problem is due to the growing interest in the comparative study of linguistic and cultural features in multi-system languages based on the material of epic texts. The following methods are used in the work: the continuous sampling method, linguistic and cultural and interpretative analyses, and the comparative method. The material for the analysis was extracted by a continuous sampling method from the original texts of epic tales, provided with a line-by-line translation into Russian. The purpose of the work is to identify and describe universal and national-specific attitudes in the value perception of the surrounding world, reflected in the linguistic units of epic tales. The study revealed that both texts enshrine such basic values as family, attention to people, safety, respect for parents, Homeland, justice, health, etc., which show their relative stability in the temporal and spatial dimensions. The vital, cultural, moral, spiritual, terminal, and other values available in each community exist collectively in one context. It is also revealed that the life-affirming imperative is translated from the position of the characters, for example, the father and mother of the main characters or on behalf of the mistress of Altai, who have significant experience in pragmatic communication with the outside world and the nature of the worldview of the inhabitants of the space of their existence. Thus, a general picture of values is formed for transmission to the inexperienced, the young, or those who are looking for value supports to know themselves and others, are in search of answers to the multifaceted questions of human existence, etc. The prospect of further work is seen in a more detailed and in-depth development of the dominant values that determine the norms of behavior in various discursive practices of related languages.
Николаева, Т. Н. Лингвокультурные ценности в эпическом дискурсе (на материале якутского и алтайского эпических текстов) / Т. Н. Николаева ; Северо-Восточный федеральный университет им. М. К. Аммосова // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. Серия "Эпосоведение". - 2024. - N 2 (34). - С. 86-95. - DOI: 10.25587/2782-4861-2024-2-86-95
DOI: 10.25587/2782-4861-2024-2-86-95
Количество страниц: 9 с.
The author deals with the text of an archival document discovered in the materials of the Second Kamchatka expedition led by Vitus Bering, in the collection of field notes of the expedition member, the German doctor and translator G. W. Steller. This fragment in Latin is a recording of a Yakut folk song of the first half of the 18th century. The purpose of this article is to introduce a previously unpublished archival text into scientific circulation by translating the text and describing its artistic features. As part of the research, the following tasks were set: to study the history of the text, give a description of the manuscript, transcribe and translate it into Russian and highlight the artistic means used. According to the fixation of Yakut folklore in the specified period is known to science the ethnographic work of J. J. Lindenau “Description of the nations of Siberia,” which contains the text of the algys ritual on the Ysekh holiday. There are also recordings of folk songs of northern nations performed by G. W. Steller, but this text has not yet been examined by folklorists. The work uses theoretical and practical research methods as: study of scientific works, the main research method is textual analysis, which uses the method of review, description, interpretation, connection, translation, decoding and analysis of the composition, artistic and visual means of the text. The author concludes that the ancient folk song has a developed syllable. Rhythmic alliterative verse, consonance of line endings close to varieties of rhyme, parallel constructions, constant epithets and comparisons as the main means of depiction demonstrate a fairly high level of development of Yakut folk poetry. The author sees the prospect of research in the discovery of similar texts of the specified period, which would allow more in-depth research in this area.
Гоголева, М. Т. Интерпретация древнего фольклорного текста якутов / М. Т. Гоголева ; Северо-Восточный федеральный университет им. М. К. Аммосова // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. Серия "Эпосоведение". - 2024. - N 2 (34). - С. 77-85. - DOI: 10.25587/2782-4861-2024-2-77-85
DOI: 10.25587/2782-4861-2024-2-77-85
Количество страниц: 10 с.
The investigation of Russian folklore has not yet been fully institutionalized in literature, cinema, and theater. In Russian literature, for example, there are no novels about Koshchei the Immortal, Ivan the Prince, heroes of Slavic pagan culture and many other characters of this genre. Meanwhile, these are deep, colorful images organically integrated into an equally vivid context. Many great writers, such as Thomas Mann, have written about such gaps. The goal is to identify the main typological characteristics of the Russian epic, which, in our opinion, has been studied in this sense very one-sidedly. The methodology is a comparative analysis of various approaches (mythological, historical, structural, etc.) closely interconnected with the characteristic features and structure of epics. At the same time, considerable attention is the harmonious combination of various motifs of the epic: heroes, Kalik-passers-by, epic time, pagan influences, hyperbolization, etc. An attempt is made not to accept, but to take into account various influences on such studies (pre-revolutionary, post-revolutionary, inspired by the Marxist approach, structural analysis, which began to be used in the study of Russian epic since the 1970s). The Russian epic, thanks to a huge number of historical, social, and cultural connections, naturally interacts with the epics of the republics (union and autonomous) that were part of the former USSR, which opens up wide opportunities for comparative studies of various types. Paths are outlined for a comparative analysis of the Russian epic with the epics of the East Slavic peoples, as well as with the Yakut heroic epic Olonkho. The authors' further plans involve continuing the study of Russian folklore in the genre of fairy tales and the field of culture of Slavic paganism. The first of them has been studied quite fully, but the structural and systemic approaches to research need to be further developed. The culture of Slavic paganism is a little-studied area where there are still no established approaches, and there are different points of view on many issues. Here you can apply the methodological approaches outlined in our monograph “Philosophy of Olonkho”.
Кожевников, Н. Н. Основания и компаративистский анализ русского эпоса / Кожевников Н. Н., Данилова В. С. ; Северо-Восточный федеральный университетим. М. К. Аммосова // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. Серия "Эпосоведение". - 2024. - N 2 (34). - С. 67-76. - DOI: 10.25587/2782-4861-2024-2-67-76
DOI: 10.25587/2782-4861-2024-2-67-76
Количество страниц: 15 с.
This article touches on the problem of studying the interaction of folklore and literary traditions in the works of authors who came from the people, bearers of oral folk art. In Soviet times, in the literature of the peoples of the USSR, especially in newly written literature, folk singers played a significant role in poetic life. Their works successfully intertwined folklore and literary traditions: a certain synthesis of form and content occurred. In our work, we drew attention to the work of one author, Nikolai Stepanov - Nooroy, a member of the Union of Writers of the USSR, folk singer, olonkhosut, participant in the Great Patriotic War. The relevance of the article lies in the fact that until now the period of active creativity of folk singers of Yakutia, as authors, as creators of Soviet folklore, has been little studied. The subject of our research is the works of N. I. Stepanov - Nooroy, his songs and poems on Soviet themes. The work uses comparative, analytical, and analytical methods to reveal the interaction of folklore and literary traditions and the transformation of folk songs into original songs. The novelty of the research lies in the fact that this work studies the fusion of folklore and literary traditions, their interaction in the works of one author, a bearer of the traditional oral culture of the Sakha people. As a result of the study of the author’s poetic works on the Soviet theme, we concluded that in the poems, songs, and toyuks of N. I. Stepanov, the interaction of folklore and literary traditions is clearly observed. From the works of N. I. Stepanov it is clear that the folk singer, firstly, worked to preserve and transmit the traditions of folk art mainly in olonkho and toyuks, and secondly, he became one of the founders of a new type of folklore, a song genre called Soviet folklore. Stepanov’s songs about labor and workers can be considered historical, because they reflect reality and glorify real people. The writer’s poetic works on Soviet themes reflect historical facts and events of the Soviet period. His works have cultural value, and as works reflecting reality, they are a historical and cultural monument.
Илларионов, В. В. Народный певец Н. И. Степанов - Ноорой: взаимодействие фольклорных и литературных традиций / В. В. Илларионов, О. Н. Степанова ; Северо-Восточный федеральный университет им. М. К. Аммосова, "Саха", государственная телевизионная и радиовещательная компания // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. Серия "Эпосоведение". - 2024. - N 2 (34). - С. 38-52. - DOI: 10.25587/2782-4861-2024-2-38-52
DOI: 10.25587/2782-4861-2024-2-38-52
Количество страниц: 8 с.
- Общественные науки. Образование > Фольклор,
- Искусство. Фотография. Музыка. Игры. Спорт > Развлечения. Зрелища. Игры > Театр. Сценическое искусство,
- НАУКА ЯКУТИИ > ОБЩЕСТВЕННЫЕ НАУКИ > Этнография. Обычаи. Жизнь народа. Нравы,
- НАУКА ЯКУТИИ > ИСКУССТВО. ФОТОГРАФИЯ. МУЗЫКА. ИГРЫ. СПОРТ > Развлечения. Зрелища. Игры > Театр. Сценическое искусство.
The novelty of the research lies in the literary analysis of the performances of the Sakha theater, the definition of epic content in modern stage works. For the first time, the material of the creative rethinking of Western European, Russian and Yakut drama on the ways of forming an aesthetic manifesto of the national theater is summarized. The purpose of the study is to identify the epic code as a key that reveals the role and mission of the Sakha theater in the spiritual culture of the people. The objectives of the research include: 1) to reveal the functionality of the local content of Western European drama by W. Shakespeare, E. T. A. Hoffmann and B. Brecht, whose plays made it possible to creatively decipher the code of the epic heritage of the Sakha people; 2) consider the interaction of theater and prose in the experience of director's staging. The research used methods of historical, literary, comparative and contextual analysis. The study revealed the process of theater's movement towards a synthesis of classical and epic theatrical art. The significance of working with the prose works of P. Oyunsky,S. Kurilov, Ch. Aitmatov as a conceptual part of the manifesto of the Yakut theater is assessed.
Желобцова, С. Ф. О генезисе эпического кода в эстетике Саха театра / С. Ф. Желобцова, С. Н. Барашкова ; Северо-Восточный федеральный университет им. М. К. Аммосова // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. Серия "Вопросы национальных литератур". - 2024. - N 1 (13). - С. 75–82. - DOI: 10.25587/2782-6635-2024-1-75-82
DOI: 10.25587/2782-6635-2024-1-75-82