Ответственность: Михайлов Виктор Данилович (Автор предисловия и т.п.)
Издательство: ХИФУ издательскай дьиэтэ
Год выпуска: 2018
Количество страниц: 132 с.
- Якутский героический эпос Олонхо > Научные труды,
- Общественные науки. Образование > Фольклор,
- ШКОЛА > Педагогу > Преподавание дисциплин > Культура народов РС(Я) > Фольклор,
- Школа 2 > Предметные подборки > Культура народов РС (Я) > Фольклор народов РС (Я),
- НАУКА ЯКУТИИ > ОБЩЕСТВЕННЫЕ НАУКИ > Фольклор.
Попова, Акулина Семеновна.
Олоҥхо өйдөбүллэрин бүдүмүк өй-санаа аан дойдуну анаарыытын быһыытынан көрөн ырытыы : (олоҥхо космологическай ис хоһоонун логико-гносеологическай ырытыы) / А. С. Попова ; [аан тыл суруйда В. Д. Михайлов] ; Россия Федерациятын наукаҕа уонна үрдүк үөрэххэ министерствота, М. К. Аммосов аатынан Хотугулуу-Илиҥҥи федеральнай университет, Олоҥхо научнай-чинчийэр института. - Дьокуускай : ХИФУ издательскай дьиэтэ, 2018. - 127 с.
Количество страниц: 5 с.
The article is devoted to studying of early prerevolutionary time phonographic record of Yakut folklore in order to identify the goal of further research of the topic. Records of Yakut folklore have not been the subject of special research. The very formulation of this scientific problem shows the relevance of the study
Алексеева, С. В. О дореволюционных фонозаписях якутского фольклора / Сардана Васильевна Алексеева ; ГКУ РС(Я) "Национальная библиотека Республики Саха (Якутия)" // Грибановские чтения - 2022 : сборник материалов Всероссийской научно-практической конференции с международным участием, 14–16 декабря 2022 года. - Якутск : ИЦ НБ РС (Я), 2023. - 1 файл (565 с. ; 3,50 Мб) : ил. - С. 458-462.
Количество страниц: 11 с.
Scientific novelty. The research approach of A.A. Savvin to the field material of the Verkhoyansk region as an integral set of texts confirmed the archaism of the origin of the mythological narrative not only in legends, but also in other genres of the Verkhoyansk tradition. On the material of the Verkhoyansk legends, the previously put forward assumption about the influence of the conceptual ideas of G.V. Xenofontov in the 1920s 20th century on the formation of the research position of A.A. Savvin. Verkhoyansk legends recorded by A.A. Savvin within the framework of the Northern Expedition of the Institute of Language and Culture (1939-1940), are considered for the first time as a certain body of texts not so much of ethnographic as of folklore origin. The aim of the work is to study the corpus of Verkhoyansk legends recorded by A.A. Savvin, in the aspect of the originality of the Verkhoyansk folklore tradition that has developed here. The tasks of the study are determined by the general formulation of the question of the nature and unity of the Verkhoyansk legends, which predetermined the general direction of this entire tradition. Research methods. On the material of records of different genres of Verkhoyansk folklore, stored in the archives of the YSC SB RAS, a typological approach to their study is proposed, methods and techniques of folklore, and more broadly - philological, analysis of the oral type of text are used. Results. In the plot structure of the Verkhoyansk legends, the archaic and autonomy of the processes of plot formation finds expression: from the early mythological features of the “general Yakut” fund to its localization here and the appearance in the legends of the characteristic features of the glorification of the story about the “outstanding people of Verkhoyansk”. An analysis of the legends gives grounds for concluding that this tradition was predominantly narrative in nature, which influenced the Verkhoyansk folklore as a whole.
Покатилова, Н. В. Предания как фольклорный текст: "верхоянский" локус от Г. В. Ксенофонтова до А. А. Саввина / Н. В. Покатилова ; ФИЦ "Якутский научный центр СО РАН" // Северо-Восточный гуманитарный вестник. - 2022. - N 4 (41). - С. 100-110. - DOI: 10.25693/SVGV.2022.41.4.009
DOI: 10.25693/SVGV.2022.41.4.009
Количество страниц: 10 с.
This article is devoted to the identification of universal and national values in the epic texts Mighty Er Sogotokh and Maadai-Kara . The relevance of the study of the problem is due to the growing interest in the comparative study of linguistic and cultural features in multi-system languages based on the material of epic texts. The following methods are used in the work: the continuous sampling method, linguistic and cultural and interpretative analyses, and the comparative method. The material for the analysis was extracted by a continuous sampling method from the original texts of epic tales, provided with a line-by-line translation into Russian. The purpose of the work is to identify and describe universal and national-specific attitudes in the value perception of the surrounding world, reflected in the linguistic units of epic tales. The study revealed that both texts enshrine such basic values as family, attention to people, safety, respect for parents, Homeland, justice, health, etc., which show their relative stability in the temporal and spatial dimensions. The vital, cultural, moral, spiritual, terminal, and other values available in each community exist collectively in one context. It is also revealed that the life-affirming imperative is translated from the position of the characters, for example, the father and mother of the main characters or on behalf of the mistress of Altai, who have significant experience in pragmatic communication with the outside world and the nature of the worldview of the inhabitants of the space of their existence. Thus, a general picture of values is formed for transmission to the inexperienced, the young, or those who are looking for value supports to know themselves and others, are in search of answers to the multifaceted questions of human existence, etc. The prospect of further work is seen in a more detailed and in-depth development of the dominant values that determine the norms of behavior in various discursive practices of related languages.
Николаева, Т. Н. Лингвокультурные ценности в эпическом дискурсе (на материале якутского и алтайского эпических текстов) / Т. Н. Николаева ; Северо-Восточный федеральный университет им. М. К. Аммосова // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. Серия "Эпосоведение". - 2024. - N 2 (34). - С. 86-95. - DOI: 10.25587/2782-4861-2024-2-86-95
DOI: 10.25587/2782-4861-2024-2-86-95
Количество страниц: 9 с.
The author deals with the text of an archival document discovered in the materials of the Second Kamchatka expedition led by Vitus Bering, in the collection of field notes of the expedition member, the German doctor and translator G. W. Steller. This fragment in Latin is a recording of a Yakut folk song of the first half of the 18th century. The purpose of this article is to introduce a previously unpublished archival text into scientific circulation by translating the text and describing its artistic features. As part of the research, the following tasks were set: to study the history of the text, give a description of the manuscript, transcribe and translate it into Russian and highlight the artistic means used. According to the fixation of Yakut folklore in the specified period is known to science the ethnographic work of J. J. Lindenau “Description of the nations of Siberia,” which contains the text of the algys ritual on the Ysekh holiday. There are also recordings of folk songs of northern nations performed by G. W. Steller, but this text has not yet been examined by folklorists. The work uses theoretical and practical research methods as: study of scientific works, the main research method is textual analysis, which uses the method of review, description, interpretation, connection, translation, decoding and analysis of the composition, artistic and visual means of the text. The author concludes that the ancient folk song has a developed syllable. Rhythmic alliterative verse, consonance of line endings close to varieties of rhyme, parallel constructions, constant epithets and comparisons as the main means of depiction demonstrate a fairly high level of development of Yakut folk poetry. The author sees the prospect of research in the discovery of similar texts of the specified period, which would allow more in-depth research in this area.
Гоголева, М. Т. Интерпретация древнего фольклорного текста якутов / М. Т. Гоголева ; Северо-Восточный федеральный университет им. М. К. Аммосова // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. Серия "Эпосоведение". - 2024. - N 2 (34). - С. 77-85. - DOI: 10.25587/2782-4861-2024-2-77-85
DOI: 10.25587/2782-4861-2024-2-77-85
Количество страниц: 10 с.
The investigation of Russian folklore has not yet been fully institutionalized in literature, cinema, and theater. In Russian literature, for example, there are no novels about Koshchei the Immortal, Ivan the Prince, heroes of Slavic pagan culture and many other characters of this genre. Meanwhile, these are deep, colorful images organically integrated into an equally vivid context. Many great writers, such as Thomas Mann, have written about such gaps. The goal is to identify the main typological characteristics of the Russian epic, which, in our opinion, has been studied in this sense very one-sidedly. The methodology is a comparative analysis of various approaches (mythological, historical, structural, etc.) closely interconnected with the characteristic features and structure of epics. At the same time, considerable attention is the harmonious combination of various motifs of the epic: heroes, Kalik-passers-by, epic time, pagan influences, hyperbolization, etc. An attempt is made not to accept, but to take into account various influences on such studies (pre-revolutionary, post-revolutionary, inspired by the Marxist approach, structural analysis, which began to be used in the study of Russian epic since the 1970s). The Russian epic, thanks to a huge number of historical, social, and cultural connections, naturally interacts with the epics of the republics (union and autonomous) that were part of the former USSR, which opens up wide opportunities for comparative studies of various types. Paths are outlined for a comparative analysis of the Russian epic with the epics of the East Slavic peoples, as well as with the Yakut heroic epic Olonkho. The authors' further plans involve continuing the study of Russian folklore in the genre of fairy tales and the field of culture of Slavic paganism. The first of them has been studied quite fully, but the structural and systemic approaches to research need to be further developed. The culture of Slavic paganism is a little-studied area where there are still no established approaches, and there are different points of view on many issues. Here you can apply the methodological approaches outlined in our monograph “Philosophy of Olonkho”.
Кожевников, Н. Н. Основания и компаративистский анализ русского эпоса / Кожевников Н. Н., Данилова В. С. ; Северо-Восточный федеральный университетим. М. К. Аммосова // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. Серия "Эпосоведение". - 2024. - N 2 (34). - С. 67-76. - DOI: 10.25587/2782-4861-2024-2-67-76
DOI: 10.25587/2782-4861-2024-2-67-76
Количество страниц: 15 с.
This article touches on the problem of studying the interaction of folklore and literary traditions in the works of authors who came from the people, bearers of oral folk art. In Soviet times, in the literature of the peoples of the USSR, especially in newly written literature, folk singers played a significant role in poetic life. Their works successfully intertwined folklore and literary traditions: a certain synthesis of form and content occurred. In our work, we drew attention to the work of one author, Nikolai Stepanov - Nooroy, a member of the Union of Writers of the USSR, folk singer, olonkhosut, participant in the Great Patriotic War. The relevance of the article lies in the fact that until now the period of active creativity of folk singers of Yakutia, as authors, as creators of Soviet folklore, has been little studied. The subject of our research is the works of N. I. Stepanov - Nooroy, his songs and poems on Soviet themes. The work uses comparative, analytical, and analytical methods to reveal the interaction of folklore and literary traditions and the transformation of folk songs into original songs. The novelty of the research lies in the fact that this work studies the fusion of folklore and literary traditions, their interaction in the works of one author, a bearer of the traditional oral culture of the Sakha people. As a result of the study of the author’s poetic works on the Soviet theme, we concluded that in the poems, songs, and toyuks of N. I. Stepanov, the interaction of folklore and literary traditions is clearly observed. From the works of N. I. Stepanov it is clear that the folk singer, firstly, worked to preserve and transmit the traditions of folk art mainly in olonkho and toyuks, and secondly, he became one of the founders of a new type of folklore, a song genre called Soviet folklore. Stepanov’s songs about labor and workers can be considered historical, because they reflect reality and glorify real people. The writer’s poetic works on Soviet themes reflect historical facts and events of the Soviet period. His works have cultural value, and as works reflecting reality, they are a historical and cultural monument.
Илларионов, В. В. Народный певец Н. И. Степанов - Ноорой: взаимодействие фольклорных и литературных традиций / В. В. Илларионов, О. Н. Степанова ; Северо-Восточный федеральный университет им. М. К. Аммосова, "Саха", государственная телевизионная и радиовещательная компания // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. Серия "Эпосоведение". - 2024. - N 2 (34). - С. 38-52. - DOI: 10.25587/2782-4861-2024-2-38-52
DOI: 10.25587/2782-4861-2024-2-38-52
Количество страниц: 13 с.
The relevance of the research is determined by the fact that the study of the ways of introducing direct speech of the characters in the Yakut heroic epic would allow us to identify characteristic formulas, representativeness of the style, peculiarities of local traditions, stability or changes in time, originality of textological techniques in fixing olonkho, etc., which is important for understanding the originality of the poetics of the folklore text. The aim of the work is to identify the peculiarities of the transmission of the direct speech of the characters in olonkho. To achieve this goal, the following tasks were set: to define direct speech as an element of Olonkho narrative; to study the structure and lexical features of the introduction of direct speech by characters in Olonkho; to characterise characters in formulaic constructions that precede direct speech. Structural, lexical analysis, comparative method, system analysis of Yakut epic poetics were used. It is found that the presentation of direct speech has its own structure, consisting mainly of constructions with verbs of speech, common places, typical expressions, which can be before direct speech, within direct speech and after direct speech. The Olonkho mainly use constructions before and after direct speech. We have discovered an abundance of epic formulae, verbs that characterise the speech and singing of the heroes. In addition, there are sometimes verbs not related to 'speaking' and constructions without a verb. The dialogues of the Olonkho characters by D.A. Tomskaya from the Verkhoyansk region are characterised by simplified repetitions of a single verb. In some cases, while recording the text, the collectors were able to introduce sentences of their own, in which the name of the character and his action are indicated. It turned out that the formulaic constructions that precede direct speech contain character descriptions: first of all, this applies to the abasy bogatyr, female images, shamans, shamanesses, a child, zoomorphic images.
Кузьмина, А. А. Передача прямой речи персонажей в якутском героическом эпосе олонхо / А. А. Кузьмина ; Институт гуманитарных исследований и проблем малочисленных народов Севера // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. - 2024. - Т. 21, N 1 (95). - С. 127-139. - DOI: 10.25587/2222-5404-2024-21-1-127-139
DOI: 10.25587/2222-5404-2024-21-1-127-139
Количество страниц: 9 с.
Сатанар, М. Т. Особенности олонхо "Дугуйа Бёгё" (к постановке комплексного изучения) / М. Т. Сатанар ; Северо-Восточный федеральный университет им. М. К. Аммосова // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. Серия: Вопросы национальных литератур. - 2023. - N 4 (12). - С. 83-91. - DOI: 10.25587/2782-6635-2023-4-83-91
DOI: 10.25587/2782-6635-2023-4-83-91
Количество страниц: 11 с.
The relevance of the research is due to the need to study the speci cs of the interaction of folklore and literature from the point of view of the continuity of oral literature traditions and their artistic interpretation and transformation in Yakut literature. The problems of functioning and interpretation in the structure of the literary text of the folklore narrative are still poorly studied. Meanwhile, folk legends and legends are one of the important genre- and plot-forming components of Yakut literature. A comparison of plots and motifs of legends in folklore narratives and literary works is considered in the context of the interaction of two poetic systems: oral (recorded in written “book form”) and literary. The novelty of the research lies in the fact that for the rst time in Yakut literary studies, the process of forming a plot-motif complex in folk legends about a separate mythological hero in various versions from different sources and its functioning in modern Yakut literature is considered. The purpose of the study is to identify the features of the formation of a plot-motif complex about Taas Ullungakh in folklore studies and the speci cs of its artistic interpretation in various genres of Yakut literature of the second half of the twentieth and early twenty- rst centuries. (in historical novel, drama poems and poem). Research objectives: 1) comparison and typology of the plot-motif complex in folk legends about Taas Ullungakh in the folklore and ethnographic works of G. V. Ksenofontov, A. E. Kulakovsky, D. I. Dyachkovsky-Sehen Bolo; 2) identi cation of the features of the functioning and transformation of the plot-motif complex that has developed in mytho-folklore texts, in the drama poems "The Valley of Keryaya" and the poem "Tygyn and Taas Ullungakh" by I. M. Gogolev - Kyndyl, the historical novel "Tygyn Darkhan" by V. S. Yakovlev - Dalan, in the "little" poem "Taas Ullungakh" by N. I. Kharlampieva. The study uses a source analysis of the origin of the main plots and motifs in the legends about Tygyn's son Taas Ullungakh ( ) and their comparative analysis in literary works of the twentieth century. The comparison of the plots and motifs of legends in folklore narrative and literary work is considered in the context of the interaction of two poetic systems: oral (recorded in written "book form) and literary. This approach will allow you to detect some common properties of the artistic structure of both systems
Романова, Л. Н. Сюжеты и мотивы преданий о Таас Уллунгахе в фольклоре и литературе: вопросу о преемственности фольклорных традиций в литературе / Л. Н. Романова ; Институт гуманитарных исследований и проблем малочисленных народов Севера // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. Серия: Вопросы национальных литератур. - 2023. - N 4 (12). - С. 72-82. - DOI: 10.25587/2782-6635-2023-4-72-82
DOI: 10.25587/2782-6635-2023-4-72-82